Katie Geringer - Managing Co-Director, Fiddle Instructor, and Group Band Leader
Katie can be reached at katie@hsoim.org
Mark Johnson - Managing Co-Director, Guitar, Bodhrán, Flute and Whistle Instructor
Mark has played Irish music on guitar, bodhrán, flute and whistle for over 35 years as member of Houston’s eclectic Wyndnwyre. He has played at the North Texas Irish Festival, Houston Highland Games, Mississippi Celtic Festival, the Houston International Festival and with the local medieval ensemble, Istanpitta. He has been a backing guitarist for Skip Healy, Tim Britton and Turlach Boylan. Mark has studied with Irish flute players Chris Norman, Frankie Kennedy, Kevin Crawford and Steph Geramia. He was the featured guitarist on Larry Mallette’s 1998 album, ‘Til Time Is No More and Corrin Evans’ fiddle album The Leakey Otter. Mark has played multiple instruments on five albums with Wyndnwyre and on Christmas Presence, an album of Irish and Celtic Christmas music with harpist Therese Honey.
Mark is a retired Technical Advisor for the Houston office of a major international oil company and has a B.S in Civil Technology from the University of Houston.
Mark can be reached at mark@hsoim.org.
Larry Mallette - Director Emeritus, Flute and Whistle Instructor
Larry is a fourth-generation Irish-American, great-great grandson of Thomas Farrell and Katherine McKenna Farrell, who left Ireland in 1849. Larry holds both an M.D. degree and a Ph.D. in Physiology from Vanderbilt University. He taught medical school and did medical research for twenty-four years at Baylor College of Medicine. He also served on several medical advisory boards and later practiced Endocrinology privately for twelve years.
Larry has been playing Irish whistles and flutes since 1991. He has performed at the Carolan Harp Festival in Keadue, Co. Roscommon, the Milwaukee Irish Festival, the Mississippi Celtic Festival, the Chicago Celtic Festival, the Houston International Festival, and with The Chieftains at the Winspear Opera House, Dallas. He is a founding member of The Jig Is Up!, Houston’s traditional Irish band. He has released two recording: A Stroll In The Park, a solo flute album of original and traditional tunes and‘Til Time Is No More, an album of traditional Irish and original tunes and Irish songs, on which several top Houston area musicians collaborated, including four other Houston School of Irish Music instructors. He has taught whistle and flute workshops at the North Texas Irish Festival, the Mississippi Celtic Festival and the Summer Acoustic Music Festival in Houston.
You can reach Larry at larry@hsoim.org
Brian Shaw - Mandolin and Banjo
Brian has played stringed instruments since the early 1980s, including decades of playing rock and blues guitar. He grew up in an extended musical family of bluegrassers who included music in all family gatherings. Brian can be heard playing guitar in recordings by the rock band ‘el smasho’ and mandolin and banjo on recordings by the old time bands ‘ContraDiction’ and ‘The Brazos Bottom Boys’. He has played Irish music for 15 years and is a regular in the Houston and College Station sessions scenes.
In his spare time, Brian Shaw is a professor of Plant Pathology and Microbiology at Texas A&M University. Dr. Shaw conducts research on fungi. He is a professional educator who teaches graduate and undergraduate courses on fungal biology for more than 20 years.
Matthew Lewis - Bodhrán, Guitar, Flute, and Whistle Instructor
Matthew Lewis is an accomplished multi-instrumentalist and a dedicated teacher of traditional Irish music. A founding member of the former Houston-based band The Jig Is Up! and a current member of Hup!, Matthew has been an active performer and advocate for Irish music throughout Texas and beyond.
In 2025, Matthew was awarded 1st place on bodhrán at the Midwest Fleadh Cheoil, a recognition of his skill and deep understanding of rhythm within the Irish music tradition.
At the Houston School of Irish Music, Matthew primarily teaches bodhrán, but also teaches guitar, flute, and whistle. His teaching style emphasizes strong foundational technique, musicality, and a joyful connection to the tradition. He is especially passionate about helping students of all levels and ages find their own voice within the music.